Martha Horn is an artist living and working in London.
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My work explores prediction and speculation and their often uneasy relationship with fiction — how do the narratives we construct around the past populate the present and the future? With my recent film Slow Motors, I deconstructed the tightly-scripted world of neo-noir cinema through the lens of debt and contingent futures. Debt becomes a way of making the future predictable, while credit scores project past inequalities into the present.
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Contact
martha.horn@me.com
@marthahorn
Education
2021-2023 The Slade School of Fine Art, MA (Distinction)
2016-2019 Glasgow School of Art, BA (First Class Honours)
2015-2016 Central St. Martins, Foundation Diploma
Selected Exhibitions and Screenings
2024
Saving Mikey, Millenium Film Workshop, New York City
Movies for the Apocalypse, SET Vault, London
2023
Lift Off Festival, Pinewood Studios, London
Canal Dream Festival, Slash Arts, London
Pop-Up, Cobbled Yard, London
Slade School of Fine Art Degree Show
2022
Slade School of Fine Art Interim Show
Lambing Season, Worlding Projects, London
2020
Contribution to Shared Desktop, Royal Scottish Academy, Edinburgh by Frances Lingard
2019
Merton Arts Festival, London
STAGED, Tate Modern, London
The Glasgow School of Art Degree Show
Come Together (Fall Apart), The Glasgow School of Art
Binary, Partisan Collective, Manchester
2018
Excerpts, The Centre for Contemporary Art, Glasgow
Something Like That, The Glue Factory, Glasgow
2017
Cahoots, Laurieston Arches, Glasgow
Series II, Mclellan Galleries, Glasgow
2016
Once More From the Top, The Old Hairdressers, Glasgow
Awards
2023
Ampersand Award, British School at Rome, finalist
Eaton Award
Dolbey Travel Award, shortlisted Boise Award, shortlisted
Ivan Jurtiz Award, longlisted
2021
Ewan Uglow Scholarship
Sarabande Scholarship, shortlisted
Publications
2018
‘An Interview with Ross Birrell’, Art Review Glasgow, No. 3
‘Rehana Zaman @ CCA, Glasgow’, The Skinny, No.150
‘Rowland Hill’s Digital Relics and Provocation’, Elephant Magazine
‘Ed Atkins’ Desperate Tale of Woe’, Elephant Magazine
‘Ten Artists to Watch: MA and MFA Shows 2018’, Elephant Magazine ‘Angsty Poetry: Eight Essential Texts on the Human Experience’, Elephant ‘Doug Aitken’s Portrayal of the Jet-Set Life’, Elephant Magazine
2017
‘A Short Response to the Work of Sean Campbell’, Art Review Glasgow, No. 1